Carl
Bouchard and Martin Dufrasne
"self-esteem – Test-instruments # 2"
Artists Carl Bouchard and Martin Dufrasne have created a joint body
of work which offers a unique variation on the familiar theme of
the artist-couple by playing on the very motive of ‘couplings’:
in over 30 collaborations to date, they have appeared as brothers,
lovers, twins, duellists, enemies, Siamese twins … The resulting
pieces are mocking, insolent but tender works which challenge preconceived
ideas of identity and otherness. Bouchard and Dufrasne refer to
them as ‘self-portraits’, which draw on their shared
sense of friendship, affinity and complicity. Yet it is not merely
the relationship between the two artists that is thus examined:
with the help of different media – installation, sculpture,
photography, action, and performance – they also aim to activate
the particular forces that exist between the work and its audience,
thereby reflecting on the nature of participation and communality.
The spectators find themselves assigned variously the roles of voyeur,
accomplice, judge or witness, always implicated in the study and
critique of human behaviour and relational dynamics that these performances
engender.
Carl Bouchard and Martin Dufrasne live and work together in Chicoutimi.
In addition to their collaborative practice, which is increasingly
celebrated as they exhibit their work nationally and internationally,
both artists have received public recognition for their individual
artistic output, which has been presented in solo and group exhibitions
in Québec, Ontario, Columbia and France. Bouchard and Dufrasne
also participate actively in a number of artist-initiated projects
in their hometown, including ‘TouTTout’, a complex of
twelve artists’ studios, and ‘LE LOBE’, a centre
dedicated to residency programmes for visual artists.
At ‘RHWNT’, Bouchard and Dufrasne will contribute another
piece to their ongoing investigation of duality: their performance,
subtitled ‘a confrontation between two obstinates’,
will take as its starting point a fable by Jean de La Fontaine about
two goats which, crossing a bridge in a quest for freedom, stubbornly
refuse to make way for each other and both end up in the water.
Bouchard and Dufrasne will explore the underlying theme of unyieldingness
versus collaboration with the help of ‘motivations, traps
and jewellery’.
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