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Amanda Heng
'Smile. I am a Singapore Girl!'
" Singapore Girl, you are a great way
to fly "
For 56 years the iconic Singapore Girl, in her Pierre Balmain-designed
Kabaya, has been flashing her famous smile and bringing the Singapore
National airlines and the tourist industries huge profits and international
awards in the very competitive world travelling market and global
economy. Trends come and go. Styles change. But after more than
two decades, the mystery of the Singapore Girl endures....".
Singapore Airlines in its invitations to girls in Singapore to be
a Singapore Girl, boasted it to be the career that's still in vogue.....
The series or work is concerned with the construction of the Singapore
Girl image as a representation for promotion of the economical consumption,
its implications on the female
identity and its impact on the gender politics in a patriarchal
society of Singapore.
Robert Filliou once said that the purpose of art was to reveal
how much more interesting life is. For me, the task is to ask how
can the arts become a meaningful part of everyday experience for
everyone.
A full-time practicing artist and cultural worker, Amanda Heng
has been actively involved in making art, curating exhibitions,
conducting workshops, organising and speaking in public forums and
participating in exchange programs and exhibitions in internationally
since the 1980¹s. Heng¹s work deals with the clashing
of Eastern and Western values, traditions and gender roles in the
context of the multi-cultural and fast changing society of Singapore.
Her recent works focus on collaboration with people in all fields
[art and non-art], particularly people from different cultural and
ethnic backgrounds. She believes it is the best way to gain a better
understanding of the differences and complexities of multi-faceted
relationships and interactions in the world.
Amanda Heng has produced performances, collaborative interventions
and installations throughout South East Asia
including major, galleries, festivals and artist-run projects in
Japan, Thailand, Vietnam, Malaysia and Australia. She has also presented
work in exhibition in German, Austria and Spain. As an important
contemporary artists in Singapore and South East Asia, Heng is also
hugely influential in the setting up, curating and producing of
numerous women¹s projects, exhibitions and events including:
'Women And Their Arts' [1991]; 'The Space' [1992]; 'Part of The
Whole' [1994]; 'Memories and Senses' [1994]; 'Artists Project' [1994];
'Women About Women '1998; and 'The Friday Event' [2000].
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